İDEALKENT

Yazarlar: Neslihan ERCAN

Konular:-

Anahtar Kelimeler:Porosity,Social space,Public art,Fiction,Protest,Counter-memory,Counteraction,Experience,Montage,Deterritorialization,Occupy movement,Gezi Parkı,Event,Governmentality,Everday life,Video,Photog-raphy

Özet: This paper is an assessment of the links urban activist movements create between the city, protest and art. The common ground between the city, protest and art is the imagination of a social space and public sphere which is best described by urban porosity. Urban porosity describes the movements or stasis to be revealed or created in the social space. In this imagination, fiction plays an important part. Counter memory and counter culture also incorporate fictional elements. Urban movements want to keep counter memory and counter culture vivid. In order to achieve this, critical thinking, counteraction and organization emerge as criteria. For the urban movements to keep their resistance against new oppression and control techniques and forms, audio visual recording is not only indispensable in terms of keeping track of their activities but also analyzing and synthesis. Montage is made in other areas than the audio-visual field as well. The links imagined between the convergent and divergent series created during the montage become important. What is resisted and how depend upon such an imagination.

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