International Journal of Linguistics, Literature and Translation

Yazarlar: Ashis Biswas

Konular:-

DOI:10.32996/ijllt.2021.4.1.18

Anahtar Kelimeler:Roland Barthes,Death of the Author,Post-structuralism,Deconstruction,Marxism,Post-enlightenment

Özet: Roland Barthes in his famous essay “The Death of the Author” from a post-structuralist position took a stand against the notion of authority in a text. He while referring to the myth of Sarrasine in Balzac asks certain essential question regarding the position of authorship. For him the author only is a participant in the existing discourse of the time—a mere explorer of the existing symbols and pre-existing linguistic and literary systems. One the other hand he only narrates the events through the existing codes but never participates in it. It is here where Barthes connotes that the author might be praised for his mastery over the existing codes but not for his genius. Likewise, Barthes explores various concepts of post-enlightenment to give his concept of the death of the author not in a literary sense where the work is found importance rather than the author who is the product of the industrial strategy and his position changes over time according to the changes in society.

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