Acoustics

Yazarlar: Dario D’Orazio, Anna Rovigatti and Massimo Garai

Konular:-

DOI:10.3390/acoustics1030041

Anahtar Kelimeler:Opera house,Cultural heritage,Room acoustics,Shape optimisation,Archeoacoustics

Özet: In a Historical Opera House (HOH), the proscenium is the foreground part of the stage. Until the end of the 19th Century, it was extended through the cavea, being the orchestra placed at the same level of the stalls, without an orchestra pit. Soloists often moved in the proscenium when they sung, in order to increase the strength of the voice and the intelligibility of the text. The Alighieri theatre in Ravenna, designed by the Meduna brothers, the former designers of Venice’s “La Fenice” theater, is chosen as a case study. During a refurbishment in 1928, the proscenium of the stage was removed in order to open the orchestra pit, which was not considered in the original design. The original design and the present one are compared by using numerical simulations. Acoustic measurements of the opera house and vibro-acoustic measurements on a wooden stage help to reach a proper calibration of both models. Results are discussed by means of ISO 3382 criteria: the proscenium increases the sound strength of the soloists but reduces the intelligibility of the text.

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