RELIGACIÓN

Yazarlar: Camila Hespanhol Peruchi, Thaís Aparecida Domenes Tolentino

Konular:-

Anahtar Kelimeler:Group theater. Epic Theater. Brazil. Class struggle.

Özet: This article has as its central theme the third cycle of politicization of national dramaturgy, which begun in 1990. Assuming that art as human production is originated from specific historical conditions, this article aims to expose 1) the main social facts that explain the resumption of Brazilian political theater, 2) its formal characteristics that subverted the bourgeois dramatic form and 3) the main groups which are still working today. The text aims to register a movement which was capable of turning class struggle into a poetic category.

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