Yeni Medya

Yazarlar: ["Nuray Hilal TUĞAN"]

Konular:-

DOI:10.55609/yenimedya.1259431

Anahtar Kelimeler:Dijital sinema,Auteur kuram,Hayran Kültürü,Katılımcı Kültür

Özet: Considering the adventure of the history of cinema, especially in the United States and Europe, in different historical processes, especially in terms of the position of the director, the transformation from a professional employee in film production companies to an artist who reflects his creative personality on films can be followed. In the current era of digital culture, the reasons such as the fact that digital technologies are more accessible by reducing film production costs, on the contrary, the dominant position of big-budget Hollywood films in the industry, the rise in film production costs, the change in the workflow in the filmmaking process, the change of the audience from the consumer of the films to the producer. required the contribution of more people in the creation process of motion pictures. In this sense, the position of the auteur director and the director as the creator of the film as an artist has once again been opened to discussion with digital cinema. In the study, it is aimed to reveal the potential transformation created by digitalization in cinema theories, especially in terms of auteur theory, in the context of digital cinema ecology, fan culture and creativity based on collective production. In this direction, the fan productions on the 1997 movie Titanic (James Cameron) on Youtube were examined in this article, and it was concluded that with the influence of participatory culture, especially the fan culture radically transformed the relationship between film, the creative process and the making of films.

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