Medya ve Kültürel Çalışmalar Dergisi

Yazarlar: ["Melisa BUDAK", "Gül YAŞARTÜRK"]

Konular:-

DOI:10.55055/mekcad.1261091

Anahtar Kelimeler:Kadın Karakter,Feminist Kuram,Feminist Karşı Sinema,Agnès Varda

Özet: In traditional cinema, femininity has been rearranged to serve patriarchal ideology. Feminist counter-cinema, on the other hand, reveals the existence of a new cinematic language in which women are presented as women by destroying the techniques and forms that traditional narrative cinema uses. Agnès Varda, who is accepted as the pioneer of the French New Wave movement, aimed to change the position of women in cinema with the innovative cinema language she created by being influenced by the feminist movement, and presented female characters who became the subject. Within the scope of the study Agnès Varda's films Cléo 5 to 7 (1962), Happiness (1965) and One Sings, the Other Doesn't (1977) which she directed simultaneously with the second wave feminist movement will be analyzed how the female character is positioned.in the context of the concepts of image and gaze from a feminist counter-cinema perspective.

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