Türk Tarihi Araştırmaları Dergisi

Yazarlar: Haldun EROĞLU

Konular:Tarih

Anahtar Kelimeler:Art,Stone work,Steppe,Thought,Belief,Miniature

Özet: The definition of Nomad, which is used for the pre-Islamic period of Turkish history, marks the art of Turks as well as in every aspect of state and social life. Moreover, the stone drink, which has an important place in the pre-Islamic Turkish art, has an important place in the formation of the culture and tradition of the society. The reference to the nomads of the Nomad Turks and their inability to bring about civilization can be rejected by artistic products especially stone work and sculpture. In particular, the available data on stone work - in particular stone inscriptions and archaeological finds around it - are among the indicators that this cannot be accepted. However, the fact that the Turks accept Islam has led to a profound change in Turkish thought and art as in all other areas. The traces of this new concept shaped around Islam's art interpretation reveals itself around structures of faith. In particular, a belief-centered idea of ​​sculpture and sculpture has been dominated and the prohibition of portrayal has led to the complete disappearance of this art. The traces of this mental transformation, which manifests itself in parallel with the changes in the world of thought, will continue to until the foundation of the Republic. On the other hand, the background of Ottoman miniature art, which dates back to the time of the Uighurs, has continued to exist in the Ottoman example by becoming a dynasty-centered and an artistic arm that depicts the ruler. Moreover, in some examples of miniature, it is possible to see the traces of the contradiction between thought and art and belief.

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