İstanbul Arel Üniversitesi İletişim Çalışmaları Dergisi

Yazarlar: Ahmet Süreyya KOÇTÜRK

Konular:-

Anahtar Kelimeler:Photography,Perception,Collage,Manipulation

Özet:  In this article, the subject was chosen that with the development of visual production technology, the art of photography has changed, and as a result, photographs have been changed in form and content. The changes that took place in this period influenced the art of photography and this new style of expressions and thus the new language of expression has occured. The new forms of seeing have transformed the photograph into a narrative and put it into a scientific form. For this reason, the photograph, which is a form showing 'what', is transformed into a style of painting, that is, a style that has to be 'must' when the artist enters the circuit. In this article, it is claimed that a photographer can create manipulation studies by participating in fantasy forms. Seven works in this direction were chosen as examples and it was demonstrated that manipulative changes in photographs are efforts to create a new narrative. The narrative structure created by these manipulative efforts of the photographic art is considered to contribute to the ways of perceiving the world.

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