Sanat ve Tasarım Dergisi

Yazarlar: Seyhan YILMAZ

Konular:Sosyal

Anahtar Kelimeler:Adalet Bayramoğlu,Atatürk,Kastamonu,Ceramic.

Özet: In this paper, Azerbaijani artist Adalet Bayramoglu’s large-sized ceramic panels which related to Ataturk’s thirteen aphorisms in the Serender Hotel in service under the Governorship of Kastamonu have been discussed. In the panels, National Struggle in the light of Atatürk’s words has been described by discussing the first years of The Republic of Turkey and some aspects of Turkish Reform. Bayramoglu’s panels have been analyzed one by one in terms of composition, colour, form and content and it is found to be compatible with each other and with the space where all the panels are. It is important to express Ataturks’ asseverations in a ceramic work in terms of both ceramics arts and improving value of Kastamonu. Because in the National Struggle Kastamonu played very important role of transferring weapons and ammunitions to Anatolia. In particular Inebolu is the one district which was honoured with the Medal of Liberty. 

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